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Burkina Faso’s Ibrahim Traoré and the Revolution of IllusionsThree years after taking power, Traoré’s populist showmanship and defiant rhetoric mask a grim reality of insecurity, poverty, and political isolation — far from the Sankarist revival he promises.

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Burkina Faso’s Ibrahim Traoré and the Revolution of Illusions
Three years after taking power, Traoré’s populist showmanship and defiant rhetoric mask a grim reality of insecurity, poverty, and political isolation — far from the Sankarist revival he promises.

By Oumarou Sanou

Three years after seizing power, Burkina Faso’s strongman, Captain Ibrahim Traoré, continues to project himself as the torchbearer of a new African revolution — a reincarnation of the late Thomas Sankara. Yet, his recent performance, marking his third anniversary in power, revealed more theatre than substance. It was less a presidential address and more a self-congratulatory monologue filled with sweeping claims, imagined enemies, and revolutionary soundbites detached from the harsh realities on the ground.

Facing a carefully selected group of journalists — those unlikely to ask uncomfortable questions — Traoré transformed what should have been a serious state briefing into a one-man show. His tone was confident, even prophetic, yet far removed from the desperation of a nation caught in the grip of terrorism, poverty, and displacement.

Traoré opened with drama: when he came to power, he claimed, the Burkinabe army had “barely a hundred weapons and 100,000 cartridges.” Such exaggerations might thrill loyalists but stretch credibility. Even local hunters would scoff at such arithmetic. Yet, the captain reassured his listeners that 15,000 men are now recruited annually and that Burkina Faso will soon “make its own weapons.”

How, and with what resources? There were no details — no factories, no engineers, no budget. It was a familiar populist pattern: imagination over implementation, rhetoric over realism.

Then came a moment of unintended honesty. “Politics in Africa,” Traoré lectured, “is the art of lying, deceiving, and flattering.” Was this a denunciation of the old political elite, a confession of his own methods, or the mission statement of his self-styled “Progressive Popular Revolution”?

Pressed for specifics, Traoré was blunt: “I’m not going to tell you the exact content.” In other words, the people are expected to believe in a revolution whose goals remain secret. It is governance through mystique — a convenient cloak for opacity and improvisation.

Perhaps the highlight — or low point — of the press conference came with the grand economic announcement: a tomato processing plant. While jihadists overrun villages and thousands of civilians flee daily, the government’s big victory was the promise of locally made tomato paste.

Agricultural processing is undoubtedly essential. But in a nation where more than half of the territory is under terrorist control, the symbolism felt jarring. The message seemed to be: Burkina may not be safe, but at least it will have sauce.

When policies fail, populists find scapegoats. In Traoré’s narrative, the Ivory Coast has now become the enemy. He accused Abidjan of serving as “the rear base of Burkina’s enemies” and even suggested that President Alassane Ouattara had signed a “non-aggression pact” with jihadists.

Such allegations are not just far-fetched — they are dangerous. They strain regional diplomacy, alienate neighbours, and distract from the government’s inability to secure its own borders. Ironically, when a journalist cited a poll showing that 66% of Ivorians viewed Burkina Faso’s leadership favourably, Traoré shrugged: “Really? I don’t follow that… I don’t watch those media outlets anymore.”

This was revealing. In a state where the media is censored and dissent suppressed, even positive news struggles to reach the leader’s ears. Traoré appears trapped within his own echo chamber — and Burkina Faso with him.

Three years on, the outcomes are damning. Burkina Faso remains the most terrorised country in the world. Thousands have been killed, millions displaced, and much of the countryside is beyond state control. Schools are closed, health centres are abandoned, and basic livelihoods are destroyed.

Despite fiery anti-Western speeches and his warm embrace of Moscow, little has changed on the ground. Russian mercenaries and propaganda can amplify slogans, but they cannot rebuild schools, protect farmers, or restart an economy in free fall.

And now, with Burkina Faso — alongside Niger and Mali — having withdrawn from ECOWAS, the country faces deepening isolation. What Traoré brands as “sovereign independence” increasingly looks like self-imposed solitude. Without regional cooperation, intelligence sharing, or trade partnerships, Burkina Faso risks turning into a garrison state — fortified in rhetoric but hollow in results.

In just three hours of speaking, Captain Traoré managed to: turn the Ivory Coast into the supposed headquarters of Sahel’s villains; declare tomato paste the new pillar of national resilience; and redefine politics as the art of deception.

But beyond the theatre, Burkina Faso continues to bleed. The ordinary people — farmers, students, traders, and families — pay the real price for this illusion of revolution.

Traoré may parade as the new Sankara, but three years on, his “revolution” looks more like a parody than a legacy. The real revolution Burkina Faso needs today is not one of slogans or posturing, but of results — restoring security, rebuilding trust, and reviving governance.

Until then, Captain Ibrahim Traoré’s revolution remains exactly what it appears to be: a show more than a solution.

Oumarou Sanou
Social critic, Pan-African observer and researcher focusing on governance, security, and political transitions in the Sahel. He writes on geopolitics, regional stability, and the evolving dynamics of African leadership. Contact: sanououmarou386@gmail.com

Burkina Faso’s Ibrahim Traoré and the Revolution of Illusions
Three years after taking power, Traoré’s populist showmanship and defiant rhetoric mask a grim reality of insecurity, poverty, and political isolation — far from the Sankarist revival he promises.

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IBUAM: Redefining the Nigerian Aerospace and Systems Through Aeronautics Disciplines

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IBUAM: Redefining the Nigerian Aerospace and Systems Through Aeronautics Disciplines

By: Balami Lazarus

The Wright brothers invented and flew the first airplane in 1903. They never knew that they had set the growth, development, and progress of the aviation industry with their invention.

Following the establishment of Isaac Balami University of Aeronautics and Management (IBUAM), Nigerians are optimistic that it will redefine with sophistication the aerospace systems, giving a new definition of the aviation through her academic courses by the quality of graduates that shall come on board sooner or later with made-in-Nigeria aircraft, their parts, and other related inventions.

I remembered one of my bright students whom I taught some years past, who has clamped and insulated her mind and interest to studying aeronautics engineering; my encouragements for her were endless.

And here we are, with a university that will give every candidate equal opportunities in his or her course of study, where future global stars are going to be trained to rule the aviation industry and her economy—national and international—through IBUAM academic disciplines.

The emergence of specialized universities in Nigeria was a big reality in the realm of our educational systems. These universities are no doubt making progress towards improving specialization by their trained professionals in various fields of studies for economic growth and industrialization, like what IBUAM is intended to do through one of her courses rarely taught in some Nigerian universities.

IBUAM is here to cater to the near-starved aviation needs of human capital and material resources through aeronautics engineering systems/management.

All courses at IBUAM are important for our nation’s development and in the aviation sector. Interestingly, IBUAM has state-of-the-art facilities to enhance teaching and learning—hangers, special workshops, tools, materials, and equipment. Her classrooms/lecture halls are also equipped with modern/standard facilities meant for effective and qualitative academic teaching and practical lessons for excellent performance of her students in their various courses. Therefore, IBUAM is doing the right thing in our education space and time.

Before I started this work, I was focused, mind made up on one fundamental course offered at IBUAM, and by all standards, that will automatically change the foundation and structure of the aerospace, which will provide Nigeria with aircraft and parts through the Aerospace Engineering course (B. Aerospace Engineering). This academic discipline is where students are expected to be trained in the science and skills of aerospace engineering “meant for designing, building, aircraft maintenance, and spacecraft systems.”

Therefore, this course of study and its related associates (metaphorically) will redefine the aviation aerospace and its science of engineering arts/skills, provided IBAUM academic teaching and learning are capped with practicals.

Engr. Isaac David Balami

whose passion for education and aeronautics is rooted in IBUAM, said that courses of study are all in the womb of JAMB requirements for candidates seeking admission in IBUAM: “For better and further understanding of our admission requirements and equal opportunities, I refer intended candidates to go through the JAMB prospectus.”

With no iota of doubt in my mind, this university will put Nigeria on the international aviation map of progress and value.

Balami, Publisher/Columnist. 08036779290

IBUAM: Redefining the Nigerian Aerospace and Systems Through Aeronautics Disciplines

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Fela, Seun Kuti, Wizkid and the Erratic Beliefs of The Generation Zees in Nigeria

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My Binoculars:

Fela, Seun Kuti, Wizkid and the Erratic Beliefs of The Generation Zees in Nigeria

By: Bodunrin Kayode

One of the most unintelligent discussions I have heard in recent times is the comparison of a human institution like Fela Kuti to any ordinary individual. It sounds so dumb, awkward and misplaced that sometimes one wonders why so called “right thinking people” wander into such useless discussions like the impulsive Z generation known popularly as genzees. Most generation Zee fellows are adventurous and misuse communication using the latest Ai technology which makes them to assume they are smarter than even the millennials, born before 2000 who are much more closer to them than the generation X which reigned long after legends like Fela Kuti was born.

This is because they can make enormous amounts of money through music or any crafts with the help of the AI technology. Those who find themselves in the culture, art and music are the worse because they become millionaires by just talking or singing any rubbish like they do in the contemporary music at times and it is called “content” fit for consumption. Some even use very foul languages not fit for the airspace yet unfit presenters and uneducated DJ’s call them influencers following after the way of the west where all manner of crude and uncouth behavioral pattern becomes the norm. There is no reason for the comparison of Fela a “baby boomer” to a restless kid like Wizkid. It is an abomination and should never happen under the sun. It’s a sin for anyone to make such comparison because Fela is the founder of the genre of the music most of the genzee musicians are singing today. How does an angel or a mere mortal compare himself to their Creator? Such thoughts should not be allowed to take place at all. It’s disgusting.

Wizkid’s obscene challenge of Fela’s position as the founder of afro beat as it is known today

Imagine a badly influenced genzee element who calls himself Wizkid wakes up and suddenly realizes that he is actually an adult fit to contest superiority with an institution like Baba Fela Kuti. As far as some of us who witnessed the great “anikulapo” Kuti first hand in his shrine can remember, Wizkid was not born when Fela challenged ruthless military authorities to account for their wicked deeds against the people. Consequently, it is really needless for even Seun Kuti to be in a hurry to defend the larger than life pedigree of his father. That too will be heavy for Seun to stand up, carry on his head and defend. He should have allowed all those who were mentees of Fela to get up and take up verbal arms against attention seeking detractors led by this Wiz Pekin way nor know say the thing way elders de see at the foot of a palm tree e nor go see am at all even if he climbs up to the top of the tree. It is often said in Yoruba language that ” Atari ajanaku kii se ewu omode” meaning that the head of an elephant is not the kind of load a child can carry.” And this is for Wizkid who has refused to grow up. Fela’s daughter aunty Yeni and Femi Kuti have placed it succinctly in recent responses to the altercation between Seun and WizKid. And the summary of what they said is that it was pointless fighting for someone who became an institution long before his demise. And long before Wizkid was born or started imitating the nuances of Baba Fela in the name of Afro beat. Fela was idolized by millions of mentees all over the world and we don’t need to ask the family to produce evidence of this. That history was removed from the curriculum of genzees making it difficult for them to understand the past is not their fault. It is a calculated plot of the oligarchs who have an agenda and would not want even millennials to remember who was Funmilayo Ransome Kuti the mother of Fela and what role she played in raw activism against the jack boots of colonialists in Nigeria.

Abani Eda, the deity who walked around with death in his pocket

Fela regarded himself as the ” abani Eda” the strange one who changed his name from Ransome Kuti to Anikulapo Kuti meaning he walked around with death in his pocket. That itself was a dangerous threat to the military who hunted him day and night looking for faults to kill him. He never gave them the opportunity to humiliate or intimidate him even after killing his mother Fumilayo Ransom Kuti whom they thought was his spiritual backbone. Rather, it made Fela more daring and horned the activist in him further. Incarceration equally never broke him because that is always the bottom line of any dictatorial government involved in repressive tendencies.

Regardless of what anyone thinks, Fela Kuti was not just an individual that can be messed around with but a deity of some sorts who fought the deadliest battles in his life against injustice. A man that built the foundation for a genre of music which is now called “afro beat” today and one badly brought up genzee brat just wakes up to name drop and equate himself to Fela the oracle of afro beat in the whole world..it’s so insulting and unintelligent of him to even conceive this kind of talk about “I big pass your papa” “or i get money pass your papa” while thrashing a beef with Seun Kuti. It was arrant nonsense that should never be allowed to be prolonged afterwards Fela reached out to the entire world with his popular pidgin English lyrics which dominated even interviews with international news media houses. Of a truth, this talk about who is greater should not even arise because it is uncalled for, insulting and a dangerous mark of disrespect against the iconic statue of Fela Kuti.

For young people like Wizkid who do not know who Fela is, they should go take a look into his background because none of them were born when Fela dared to speak to power including military governments which was in vogue in Nigeria before 2000 when the generation zees started coming into this world.
My advice to the Kuti Family is to ignore the young man because we all know about his dangerous genzee influencing roles and exigencies way beyond what Fela would have tolerated in his Ikeja Shrine.

Fela, Seun Kuti, Wizkid and the Erratic Beliefs of The Generation Zees in Nigeria

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Anatomy of Electronic Platforms: The Honey Badger Attitudes/Character

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Anatomy of Electronic Platforms: The Honey Badger Attitudes/Character

By: Balami Lazarus

As a young boy I have heard of this small-sized animal, the honey badger, called “Dagi” in the Hausa language, that belongs to the Mustelidae family of otters, weasels, ferrets, and a few others of its kind. It has a white, single stripe pattern on its back. Honey badgers are rated the most fearless animal on earth today, its size notwithstanding. It has no respect for territorial boundaries or the privacy of other animals in the wild.

Honey badgers move and hunt freely at any point in time. They are known for their large appetite; anything goes for either breakfast, lunch, or dinner. Honey juice and snacks are their favorites. Honey badgers fight other animals without hesitation, undermining the consequences. This is the behavior and activities of some individuals on their platforms.

The pictures painted in words are typical of the anatomy of some electronic platforms in this age of digital systems, where many more honey badgers have emerged.

I am a member of some platforms and am writing this piece from experience. As a groping participant of my platform who always tried to make meaningful contributions with glitches of qualitative and educative postings in an attempt to facilitate the free flow of information among members of my group.

Social platforms have made it easier for the free flow of ideas and information accessible to every member of the group, with information at his fingertips.

Platforms that are not properly organized or are not professionally inclined in accordance with their professions, trades, or vocations are always overtaken and controlled by members with the character and attitudes of honey badgers.

Electronic platforms are supposed to be a place where members are informed/receive good information or put on notice.

While bereavements, ailments, and other unfortunate postings are the traffic of some electronics platforms. More so, some are flooded with all such birthdays—humans and animals. In fact, some members are known for soliciting birthday wishes. Without apology, many are birthday beggars: “I am one today; celebrate with me.”

I pray leadership of platforms that are faced with such viruses should endeavor to make corrections to achieve their objectives.

Balami, Publisher/Columnist. 08036779290

Anatomy of Electronic Platforms: The Honey Badger Attitudes/Character

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