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“No theatre in the country enjoys a stronger partnership than the one we enjoyed with Borno State Government” — Maj Gen Abubakar
“No theatre in the country enjoys a stronger partnership than the one we enjoyed with Borno State Government” — Maj Gen Abubakar
By Zagazola Makama
The outgoing Theatre Commander, North East Joint Task Force, Operation HADIN KAI (OPHK), Maj.-Gen. Abdulsalam Abubakar, has lauded the Borno State Government for what he described as unwavering support to military operations, declaring that no theatre of operations in the country enjoyed a stronger partnership with its host government than the relationship between OPHK and the Borno State Government.
Abubakar made the declaration during his farewell and introduction engagement with humanitarian partners, representatives of the Borno State Government and members of the press in Maiduguri on Tuesday.
He said the partnership between the Theatre and the state government had been critical to the fight against insurgency, protection of civilians, restoration of normalcy and the return of displaced persons to their ancestral communities.
“I say it plainly; no theatre of operations in this country enjoys a stronger partnership with its host government,” Abubakar said.
The outgoing commander specifically commended Governor Babagana Umara Zulum for his sustained support to Operation HADIN KAI, particularly through the provision of critical combat enablers that had strengthened the operational capacity of troops across the Theatre.
He listed Mine-Resistant Ambush Protected vehicles (MRAPs), long-range surveillance cameras and drones, among other support provided by the Borno State Government.
According to him, the state government’s contributions had gone beyond ordinary civil-military cooperation, providing practical capabilities that directly supported troops in their efforts to protect communities and degrade terrorist networks.
“These critical contributions have strengthened the partnership between the State Government and Operation HADIN KAI, and reinforced our collective resolve to defeat the insurgency, protect innocent lives, sustain peace, restore normalcy and enable the safe return of displaced persons to their communities,” he said.
Abubakar said the support was particularly significant because the restoration of normalcy in the North-East required a strong partnership between the military and the government responsible for the welfare and recovery of affected communities.
He urged the Borno State Government to maintain the partnership with his successor, saying the incoming Theatre Commander would require the same level of cooperation and support to consolidate the gains already recorded.
“I therefore respectfully request that this same partnership and support be extended to the incoming Theatre Commander as he assumes the duty of sustaining the gains we have made,” he said.
The outgoing Theatre Commander extended his appreciation to the wider humanitarian community, particularly organisations operating in Borno, Adamawa and Yobe States.
He commended the United Nations Office for the Coordination of Humanitarian Affairs (UN OCHA) for its continued support to vulnerable populations and its contribution to stabilisation efforts across the North-East.
Abubakar said humanitarian organisations had remained important partners in addressing the consequences of the insurgency, particularly the suffering of displaced persons and other vulnerable civilians.
He said their work, guided by the principles of humanity, impartiality and neutrality, had complemented the security efforts of Operation HADIN KAI in tangible ways.
“Your work, guided by the principles of humanity, impartiality and neutrality, has alleviated the suffering of the most vulnerable and has complemented our stabilisation efforts in tangible ways,” he said.
He explained that the military had also continued to support humanitarian operations by providing protection, escorts and an enabling security environment for aid workers to operate.
According to him, the relationship was based on complementary responsibilities, with the military creating the security conditions while humanitarian organisations delivered assistance to affected populations.
The Theatre Commander also highlighted the importance of regular dialogue between military and humanitarian actors.
He described the recent humanitarian roundtable as a productive engagement that provided stakeholders with an opportunity to examine coordination challenges and improve the conduct of humanitarian operations.
Abubakar urged stakeholders to institutionalise such engagements, saying regular dialogue would help prevent misunderstandings and improve the delivery of assistance to vulnerable communities.
He reiterated that requests for military escorts by humanitarian organisations should be made 48 hours before movement to enable the Theatre to properly plan and provide appropriate security.
“I urge this partnership to be maintained,” he said.
Abubakar also paid tribute to the International Committee of the Red Cross (ICRC) for its specialised capacity-building support to Operation HADIN KAI.
He said the organisation had provided valuable assistance to the Theatre both within and outside Nigeria, particularly in areas relating to professionalism, International Humanitarian Law and protection of civilians.
He singled out the ICRC’s support for improving detainee management at the Joint Interrogation Centre, saying the intervention had strengthened the Theatre’s handling of persons in custody.
According to him, the improvements recorded in detainee management contributed to commendations received by OPHK both locally and internationally.
He acknowledged that the relationship between the military and humanitarian community had sometimes experienced disagreements, but said the ability to resolve such issues through dialogue remained one of the major achievements of the partnership.
“I know our relationship with the humanitarian partners has not been without friction, but the honest dialogue we have built is itself an achievement, and I enjoin you to protect it,” Abubakar said.
The outgoing commander also expressed appreciation to Team HADIN KAI, describing its integration into OPHK since May 8, 2026, as a strategic partnership that had strengthened the Theatre’s intelligence-led operations.
He said the team had supported precision targeting, non-kinetic operations and capacity building, thereby improving the Theatre’s common operational picture.
Abubakar cited the May 15, 2026 operation at Metele, which he said resulted in the neutralisation of Abu-Bilal Al-Minuki, identified in his speech as the ISIS second-in-command, as a notable outcome of the partnership.
He said the collaboration had enhanced the professionalism and effectiveness of OPHK’s counter-terrorism efforts.
The outgoing Theatre Commander also acknowledged the contribution of the British Defence Staff – West Africa, particularly in strengthening OPHK’s combat capabilities and Counter-Improvised Explosive Device (C-IED) capacity.
He said British military advisers had contributed expertise, capacity building and equipment support.
Abubakar noted that the partnership had recently expanded to direct engagement with Forward Operating Bases, including support for defensive measures, tactical drone deployment and improved surveillance.
He urged his successor to build upon and further consolidate the relationship.
Partnership linked to return of displaced persons
Abubakar’s commendation of the government and humanitarian organisations came against the backdrop of significant progress in the return and resettlement of displaced populations.
He disclosed that more than 7,000 displaced families had returned to their ancestral communities across Borno State during his tenure.
He said communities that had remained abandoned for years were gradually being reoccupied, with returned communities now present in every Local Government Area of the state.
The Theatre also facilitated the rescue of 638 civilians from terrorist enclaves, while all 46 students involved in the attempted abduction at the Federal Government Girls College, Monguno, were safely rescued.
He further highlighted the voluntary, safe and dignified repatriation of more than 3,000 Nigerians from Cameroon, carried out through the collaboration of the Borno State Government, Federal Ministry of Humanitarian Affairs and Poverty Reduction and the United Nations High Commissioner for Refugees.
According to Abubakar, these developments demonstrated that security operations, humanitarian intervention and government support were mutually reinforcing components of the wider effort to restore normalcy.
The outgoing Theatre Commander also appreciated other security agencies, hybrid forces and what he described as the “friends of OPHK” for their support throughout his tenure.
He said their information, cooperation and encouragement had helped shape collective efforts toward fulfilling the Theatre’s mandate.
Abubakar said the fight against insurgency required more than military operations, stressing that sustainable recovery depended on the combined efforts of security agencies, government institutions, humanitarian organisations and communities.
As he handed over the Theatre to the incoming 16th Theatre Commander, Maj.-Gen. Ibikunle Ajose, Abubakar appealed to all partners to sustain the cooperation that had characterised his tenure.
He said the partnership between OPHK and its stakeholders had contributed significantly to the gradual return of normalcy, including the reopening of markets and trade routes, resumption of educational activities and the return of displaced families to their ancestral homes.
He urged all partners to give Ajose the same openness, cooperation and goodwill extended to him, saying the consolidation of peace in the North-East would depend heavily on maintaining the partnerships built over the years.
“No theatre in the country enjoys a stronger partnership than the one we enjoyed with Borno State Government” — Maj Gen Abubakar
News
Gombe, UNICEF train 104 health workers to curb newborn deaths
Gombe, UNICEF train 104 health workers to curb newborn deaths
By Elizabeth Ogunjobi
The Gombe government and UNICEF have trained 104 frontline health workers to improve newborn survival amid persistently high neonatal mortality across northern Nigeria.
The two-day training covered 48 workers from secondary healthcare facilities, following a separate programme for 56 primary healthcare workers.
Dr Abdulrahman Shuaibu, Executive Secretary of the Gombe State Primary Health Care Development Agency, said strengthening newborn care was critical to reducing preventable deaths.
Speaking in Gombe on Thursday, Shuaibu said many babies were born in communities before being referred to secondary facilities for specialised care.
“Therefore, it is important to strengthen the capacity of healthcare workers at these facilities to provide appropriate care for newborns,” he said.
He said neonatal and infant mortality remained high in the state, requiring coordinated efforts by government, healthcare providers and development partners.
“It is our hope and prayer that this training will contribute to a significant decline in neonatal mortality across our communities,” he said.
Shuaibu urged participants to share their knowledge with colleagues who did not attend, ensuring that more facilities could deliver effective newborn care.
He said the programme complemented government efforts to upgrade primary and secondary healthcare facilities, while commending UNICEF and other development partners for their support.
Mr Oluseyi Olosunde, a UNICEF health officer at its Bauchi Field Office, said the training was organised to commemorate the 2026 World Prematurity Day.
Olosunde said the initiative focused on improving the quality of care provided to newborns, particularly premature babies and those requiring specialised attention.
“Every child deserves to live, and to make every child enjoy this right to life, the quality of care is important,” he said.
He said the training targeted nurses, midwives and doctors involved in caring for women during pregnancy, childbirth and the postnatal period.
“We are training them to ensure that the mother survives, every woman survives, and every child survives,” he said.
Olosunde described newborn deaths as unacceptably high in many northern states, stressing the importance of strengthening healthcare workers’ skills.
He urged participants to apply their knowledge to improve services and protect the lives of mothers and babies under their care.
Dr Raymond Mercy, a consultant paediatrician at the Federal Teaching Hospital, Gombe, also urged healthcare workers to prioritise proper newborn care.
Mercy, a member of the Paediatric Association of Nigeria and the Nigerian Society of Neonatal Medicine, said Nigeria’s neonatal mortality rate stood between 34 and 41 deaths per 1,000 live births.
She said Nigeria had the world’s second-highest burden of neonatal mortality, underscoring the urgency of improving newborn healthcare nationwide.
Gombe, UNICEF train 104 health workers to curb newborn deaths
News
NHRC Orders Probe into Alleged Misconduct at Uyo Office
NHRC Orders Probe into Alleged Misconduct at Uyo Office
By: Michael Mike
The National Human Rights Commission (NHRC) has ordered an immediate investigation into allegations of unprofessional conduct by its personnel at the Akwa Ibom State office in Uyo following a video circulating on social media.
The Commission said the allegations were being treated with serious concern, stressing that its personnel were expected to uphold the highest standards of professionalism and respect for the rights and dignity of complainants, irrespective of provocation.
In a statement issued on Thursday by its Director of Corporate Affairs and External Linkages, Fatimah Agwai Mohammed, the NHRC said its Executive Secretary, Chief Tony Ojukwu, had directed an immediate investigation to establish the facts surrounding the incident.
It said appropriate administrative action would be taken in accordance with existing rules if any infraction was established.
The Commission emphasised that its responsibility to protect human rights must begin with the treatment of people who approach its offices for assistance, adding that every complainant deserved to be treated with dignity, respect and professionalism.
“Our professional training is that at no point in time should a complainant be charged against even if there is provocation,” the statement said.
The NHRC reiterated its commitment to ensuring accessible, free, timely and accountable service delivery, urging members of the public experiencing difficulties in accessing its offices to report such cases through its toll-free line, 6472.
The Commission’s response follows the circulation of the video alleging misconduct at its Uyo office, with the investigation expected to establish the circumstances surrounding the incident and determine whether any disciplinary action is warranted.
NHRC Orders Probe into Alleged Misconduct at Uyo Office
News
China, Nigeria Target Billion-Dollar Opportunities as Filmmakers Push Co-production, Market Access
China, Nigeria Target Billion-Dollar Opportunities as Filmmakers Push Co-production, Market Access
By: Michael Mike
Nigeria and China are seeking to turn their growing cultural relationship into a stronger commercial partnership in film, with filmmakers from both countries exploring co-production, technology transfer and distribution opportunities that could open up two major audiences to each other’s creative industries.
The push gained momentum at the Chinese Film Screening in Nigeria 2026 in Abuja, where industry stakeholders identified the combination of Nigeria’s storytelling strength and China’s cinema infrastructure, capital and distribution expertise as a potential pathway to expanding the global reach of their productions.
The discussions also highlighted a major challenge facing the proposed partnership: translating cultural exchanges and diplomatic goodwill into concrete business arrangements that enable filmmakers to secure investment, distribute their works across borders and earn sustainable returns.

The Director of the China Cultural Centre in Nigeria, Mr Yang Jianxing, said film remained an important bridge for strengthening understanding between the two countries, whose creative industries offered considerable scope for collaboration.
“China and Nigeria share a deep-rooted traditional friendship and close people-to-people exchanges, and film serves as an important bridge for fostering mutual understanding between our peoples,” he said.
Jianxing said cooperation had expanded through reciprocal film screenings, professional exchanges, festivals and the distribution of productions across national borders.
The partnership involving the Chinese Embassy, the China Cultural Centre and StarTimes Nigeria has helped bring Chinese film and television productions to Nigerian audiences through initiatives including a month-long showcase, the Chinese Women’s Film Festival and screenings of works dubbed or subtitled in local languages, including Hausa.
“StarTimes has successfully brought outstanding Chinese productions and knowledge series to a broader audience,” he said.
He added that Nigerian films had also reached mainstream Chinese digital media platforms, exposing audiences there to Nigerian stories, characters and experiences.
The commercial potential of the relationship was underscored by Fidelis Duker, founder of the Abuja International Film Festival, who said discussions with the Chinese delegation had focused on production, distribution and co-production opportunities, including engagements with Nigerian film institutions and plans to meet distributors and cinema operators in Lagos.
Duker argued that the population sizes of the two countries presented an opportunity to expand the reach of their film industries, provided that investment, technology and distribution networks were developed to support the exchange of content.
“What we found out today, or what we’ve known over the years, is that China has technology,” he said, adding that the Chinese delegation had told participants that China sold 1.3 billion cinema tickets in the previous year.
China’s film market provides an indication of the scale of the opportunity. According to figures released by the China Film Administration, the country generated 51.832 billion yuan in box-office revenue in 2025, while cinema attendance reached 1.238 billion. Domestic productions accounted for nearly 80 per cent of total box-office receipts, and the country ended the year with 93,187 cinema screens.
The figures illustrate the scale of China’s production and exhibition ecosystem, offering Nigerian filmmakers potential access to a market where locally produced content commands a substantial share of cinema revenue.
For Nigeria, the opportunity extends beyond exporting completed films. Collaboration could also create avenues for joint productions, technical training, improved post-production capacity and the development of distribution arrangements that give Nigerian stories a wider international audience.
Duker said the combination of Nigerian creativity and Chinese industrial capacity could be particularly valuable to both sides.
“When you marry Nigerian narrative vitality with China’s technical infrastructure, capital, and unparalleled distribution expertise, you can imagine” the possibilities, he said.
The Chinese delegation, led by Bai Yimin, chairman of Huaxia Film Distribution Company Limited, also emphasised the contribution of cinema to bilateral relations.
Bai said cooperation between the countries had produced results through reciprocal film festivals, professional exchanges, and the translation and broadcasting of films.
“In recent years, cooperation in the film industry has become a brilliant chapter in China-Nigerian cultural and people-to-people exchanges,” he said.
He added that the Chinese Embassy and the China Cultural Centre would continue to support initiatives using cinema to connect audiences and strengthen relations between the two countries.
The screening coincided with the 23rd Abuja International Film Festival, which received 10 Chinese film entries this year, five of which were nominated for awards. Duker said Chinese films had featured in 22 of the festival’s 23 editions, reflecting a longstanding relationship between the event and China’s film industry.
He also credited StarTimes with supporting the festival over the years, saying the relationship had contributed to its growth.
Three films were screened at the event: The Shadow’s Edge, Blades of the Guardians: Wind Rises in the Desert and The Lychee Road.
The screening comes against the backdrop of broader efforts to deepen Nigeria-China cooperation in the creative sector. In August 2026, the Nigerian Television Authority and China Movie Channel signed a strategic cooperation agreement aimed at promoting film co-production, technology transfer, professional training and wider distribution of creative content.
The agreement, announced at the China-Nigeria Film and Literature Symposium in Abuja, signalled an interest in moving cultural relations beyond the exchange of finished productions towards more structured industry collaboration.
The latest engagements at the film festival could build on that momentum by bringing filmmakers, distributors, cinema operators and production institutions into discussions about the practical requirements of cross-border business.
However, access to a large audience does not automatically translate into commercial success. Nigerian and Chinese productions seeking to enter each other’s markets will need effective distribution partners, appropriate subtitling and dubbing, marketing support, clear licensing arrangements and investment structures that protect the interests of participating filmmakers.
Differences in audience preferences, language, production practices and market regulations will also need to be addressed if joint projects are to attract viewers and generate revenue.
For Nigeria, the immediate priority is to ensure that its creative talent benefits commercially from international partnerships rather than limiting participation to festival appearances and cultural showcases. For China, deeper engagement with Nollywood offers an avenue to broaden the international reach of its productions while building relationships with one of Africa’s most prominent film industries.
The success of the partnership will ultimately depend on whether the two countries can turn screenings and professional exchanges into financed co-productions, regular content distribution and lasting commercial relationships.
With both sides signalling interest in closer collaboration, the emerging challenge is to build an industry-to-industry framework capable of converting shared cultural interests and large populations into tangible opportunities for filmmakers, distributors and audiences.
China, Nigeria Target Billion-Dollar Opportunities as Filmmakers Push Co-production, Market Access
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